Dissecting the Casual Racism of “Airplane!”
Airplane! (1980) is a fun spoof comedy with lots of laughs, right? I watched this film for the first time the other night. I loved it. Then came the racist jokes.

Oyamazumi Shrine still remains in Omi Island, surrounded by the Seto Sea. During the Warring States Era, a beautiful princess was born to the Ohori family, guardians of the shrine. Ohori was the chief priest of the shrine, and the princess was destined to be the leader of the Seto Sea pirates. Her name was Tsuru, and she was as brave as the ‘Dragon God’. While her birth was a gift from heaven, her life was filled with tragedy. This is an historical drama on a dynamic scale telling the story of Princess Tsuru, who rose to the post of admiral of the Mishima navy, as well as being a young woman watching her loved ones perish in the terrible wars of that time. Exciting battles and treacherous assassinations highlight this heartfelt tale of a young princess who must be as strong as a man in wartime, while still feeling the emotions of a woman.
Airplane! (1980) is a fun spoof comedy with lots of laughs, right? I watched this film for the first time the other night. I loved it. Then came the racist jokes.
As I typed this, Chris Evans was being “cancelled” on Twitter. I did a little research on this since I always thought Chris Evans was well-received. It turns out the backlash is because of a white savior movie he made called Red Sea Diving Resort.
Mr. Malcolm's List is a pleasant promenade through a fantasy Regency-era England filled with people of color. For fans of Bridgerton, this is the PG version of the show, but with completely colorblind casting and a much lighter tone.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.