Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Taking a Line for a Walk: A Homage to the Work of Paul Klee poster

Taking a Line for a Walk: A Homage to the Work of Paul Klee 

Tribute to the work of Paul Klee, Taking a Line For a Walk is an exploration and expansion of the Swiss painter's ideas on color and movement, funded by Channel Four and the Scottish Arts Council in 1983. An astonishing journey modeled and guided along lines from which cities, vast universes, aquatic worlds and ghostly individuals emerge until the lines become the heartbeat of a dialysis machine, uniform and terminal.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Tribute to the work of Paul Klee, Taking a Line For a Walk is an exploration and expansion of the Swiss painter's ideas on color and movement, funded by Channel Four and the Scottish Arts Council in 1983. An astonishing journey modeled and guided along lines from which cities, vast universes, aquatic worlds and ghostly individuals emerge until the lines become the heartbeat of a dialysis machine, uniform and terminal.

Rating:
Genre:Animation
Directed By:Lesley Keen
Written By:Lesley Keen
In Theaters:
Box Office:

Runtime:11 minutes
Studio:The Scottish Arts Council, Persistent Vision Animation, Channel 4 Television

Articles You May Like


It's Theater VS Cancer in "Don't Say Good Luck"

Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.

Jo Moses