
Lets leave it all behind. Just for a little bit.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.