Let's Rock 'That Girl Lay Lay'
This Nickelodeon live-action TV series features strong Black representation.

Architectural plans, graphics of abstract forms that gradually become recognizable images, photographs of facades, descriptive texts. Perel returns to the site where the Clandestine Detention, Torture, and Extermination Center (ESMA) once operated, but this time his approach is different. Not only because he enters from a different physical location than the one that represents his entry into the social imaginary, but also because his approach aims to contemplate, no longer the construction of a new place, but the destruction of space. This annihilation, Perel seems to be telling us, brings down much more than columns, cement, and metal beams.
This Nickelodeon live-action TV series features strong Black representation.
A film loosely based on the fairy tale Hansel and Gretel, with major twists to the original story.
A working class mom searches for her daughter.
A socially conscious film that draws attention to the plight of American military veterans.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.