
There’s more than one method to counting the ways you love someone.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
Presenting a bold and unapologetic narrative focused on strong Muslim female characters, the show beautifully incorporates punk rock as a feminist movement in their lives.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.