Tabib 

Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.

Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.

Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.

"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.