Nándor Lerner, a successful building contractor, is plunged into a completely alien world and in a single minute loses his car, his papers worth millions and his beautiful girlfriend. Other people turn to their friends. Only he never had one. With nowhere else to turn for help, he forms a forced friendship with Vereb, a singer-turned-robbery-obsessed Roma mechanic, and his two partners, the nervous Ritsi and the silent Robi, who lives only for women and fighting. They have just one day to get back into Sparrow's freshly tuned 1200 and take back everything, fight evil and their prejudices against each other.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
We are constantly being pushed to move on from mishaps and negative feelings. What happens if we're not ready to do so?
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
