In a futuristic world like earth, androids act, feel and appear like humans. But when Azimov, the dictator of the last remaining city, Syntax, decides to use androids for power, the humans left on this world start to view androids no longer as their equals. In a revolt, the androids aim to escape. Revyn and Ava almost break out until Ava is captured and Revyn is shot. When a scavenger reawakens Revyn in a scrapyard, he must journey far and wide, fight wasteland nomads and maintain what is left of his humanity, in hope of finding Ava.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
As a horror buff, I was intrigued by people claiming 'The Sadness' was the most disturbing movie they've ever seen or to watch with caution. So, I finally put the internet to the test and watched it for myself... to varying results.
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
The Flounders are back in this sequel that takes place one year after the events of 'Malibu Rescue'.
Two Korean sisters must save their family after a ghost tears the family apart.
