What’s Missing in the Lilo & Stitch Posters? A Face and a Deeper Concern
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.

Twenty years ago, Chang Sun’s family was defeated by eight masters. After long-term Sun Ying and Chang Sunqing escaped from the secret path with their family martial arts, they followed the worship of the Lord Dong Bin, respectively, and they were renamed Sun Ying and Wang Taibai, and they decided to kill the eight masters. Duan Xiaofeng and Wang Feiyan continued to investigate the case and witnessed the death of Cai, and received the death of Changchun. Duan Xiaofeng, who was discouraged, returned to Sun Ying, who was pretending to be sold to Shahong, and brought him back to Yejia. When Sun Ying decided to give up killing Ye Wuji, he was about to leave, but he was discovered by Ye Wuji. Identity. The two men decided to break the battle and lost both after the war. Ye Wuji, who was seriously injured, was murdered by Wang Taibai on his way home.
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.
This is a list of seven films that explore police brutality and systemic racism made by Black filmmakers. These are important movies to watch and to take in, as — through the power of cinema — they showcase what it feels like to be a Black person living in a country that is internally designed to be against you.
An in-depth discussion about anti-Black discrimination in college and professional football.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.