'How Power Looks' — MiamisFF Review
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.

In a near-future dystopia, citizens are rising against their increasingly oppressive nationalist government. Kuba, a twenty-year-old member of an illegal opposition group, gets arrested during a street protest. Despite his clear political involvement, he receives a lighter treatment than he expects. As it becomes apparent that there is a personal dimension to his rebellion, he has to make a choice that will determine the shape of his future.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.