Sweethearts 

How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?

'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.

Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.

'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.

Avatar: The Last Airbender's success fifteen years after its premiere proves the enduring power of its storytelling. But it's more than just a quality show.

Behind all the action, 'Space Sweepers' is a surprisingly heartfelt and progressive story about building community.