The Final End - The Conjuring: Last Rites
The horror franchise that had moviegoers watching behind their fingers but on the edge of their seats. The Conjuring quartet released its final installment this year, and it did not disappoint.

For Billie and Nico, life with their father is a roller-coaster ride of playfulness and unease. When he is in the grip of alcohol, tears flow and their apparently idyllic family life collapses. Their mostly absent and irresponsible mother is not much help either. But their friendship with Malik, a boy of Billie’s age, frees them from their shackles. Together they embark on a journey full of intense moments of freedom. The colourful, emotional world of the three young people is depicted in kaleidoscopic black and white imagery, which opens space for their own notions of childhood. Alexandre Rockwell's tale portrays a profound sense of solidarity and deep love: for cinema and Billie Holiday, and also for risk and adventure.
The horror franchise that had moviegoers watching behind their fingers but on the edge of their seats. The Conjuring quartet released its final installment this year, and it did not disappoint.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.