"In the Heights" Review
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.

A man is having fun, hot boxing his mom's car, when the town's Sheriff rolls up. Things only get worse when something demonic stirs within the woods.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.