What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Sweet Evil (1998)
A couple unable to naturally conceive recruit a young woman to act as their surrogate. She falls pregnant with their baby and moves into their home. But sweet Jennifer has a secret, and she soon traps the couple in a terrifying hell with little chance of escape.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
A couple unable to naturally conceive recruit a young woman to act as their surrogate. She falls pregnant with their baby and moves into their home. But sweet Jennifer has a secret, and she soon traps the couple in a terrifying hell with little chance of escape.
Rating:
Genre:Thriller, Horror
Written By:Junichi Suzuki, David Thoreau, Simon Tse
In Theaters:4/14/1998
Box Office:
Runtime:96 minutes
Studio:A-Pix Entertainment, Toei Video Company, S.T.P. International Inc.
Articles You May Like
'Hollywood Stargirl' Returns to the Big Screen
'Hollywood Stargirl' (2022) is a teen romantic drama film that centers around the title character's experiences in Los Angeles. This film serves as the sequel to the 2020 film 'Stargirl', but unlike the previous film, the events in this movie are shown from the title character's perspective instead of Leo Borlock's.
Agni Kai: Hsu VS Liang: A Passion-Filled Short Film That's Fun To Watch
This Agni Kai looks cool and is funny as well!
Mississippi Masala: A Romance that Interrogates Racism from Within and Without
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
“Young Washington” is Imperialist Propaganda
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
"Obsession" and Mental Illness
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict