Go and Tell Everyone About 'Candyman'
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.

With problems on the home front, 15-year-old Murra is on the verge of lashing out. That is, until her policeman uncle thwarts her self-destructive behaviour with a lifeline: a “photo-safari for at-risk kids”. Murra isn’t entirely convinced, but she soon joins cantankerous Kylie, uptight Sean, happy-go-lucky Elvis, and camp counsellors Fernando and Michelle on a transformative bus trip to the Pilbara. On the trail, the teens learn about fun, friendship and first crushes, as well as the forces of ‘reality’ that puncture the bubble of youth.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
A bond between a girl and her dog takes an unexpected twist as the dog is not what it seems.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
Andor is an origin story where each side will do whatever it takes.