“Selma” & “Just Mercy” are Streaming Free Until the End of June
Two movies that do a fantastic job in conveying the ongoing struggle for racial justice are Selma (2014) and Just Mercy (2019).

Sweep is a road movie to memory, a realization of the need to review footsteps and past events which build myths. The camera gazes at the spaces in-between image and text, photography and memory, body and place. The surface texture of the film, like the land north of Lake Superior, is overdetermined by the discourse of territorialism, the cultural divisions of space and place framed and divided amid the ruins of history. An irritating buzz overlays parts of the soundtrack, signifying the hydro-electric development that has irreparably disrupted life in the north, while at the same time extending a modicum of material benefits. The filmmakers understand themselves as embodying this southern technocracy, and choose to turn the camera onto their own presence and progress of looking. Here, they work against the tendency, present since the days of Flaherty and in his more recent imitators, to objectify Aboriginal peoples within an unnameable (and thus exploitable) landscape.
Two movies that do a fantastic job in conveying the ongoing struggle for racial justice are Selma (2014) and Just Mercy (2019).
What happens to an inseparable bond when love for competing morphs into competing for love?
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
This Nickelodeon live-action TV series features strong Black representation.
All in all, 47 Meters Down: Uncaged is a film I would recommend. It promotes the bond of sisterhood, which in this case is clearly thicker than blood, as well as courage. No one truly knows how strong they are until they go through something unimaginable and come out changed for the better.
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.