Trans Allegories in Film: 'Shrek' (2001)
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. The film 'Shrek' can be interpreted as a transgender story.

Svetlana Parshina was deeply moved by her childhood reading of Twenty Letters to a Friend by Svetlana Alliluyeva, Joseph Stalin's daughter. Years later, learning that the now 82-year-old was living incognito in a Madison, Wisconsin retirement home, Parshina phones and requests an interview. After repeated denials, and only after insisting upon certain conditions, the now-82-year-old Alliluyeva finally consents to a rare filmed interview in which she discusses her education, marriages, her children, the development of her own humanistic philosophy, her CIA-assisted defection to the U.S., and her skeptical views on the competing Cold War ideologies. In more intimate moments, she discusses her childhood, her nanny, the suicide of her mother, her brothers Vasily and Yakov (who died in a Nazi concentration camp) and, of course, her famous father, who most Soviets saw as "a living God."
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. The film 'Shrek' can be interpreted as a transgender story.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
A historic documentary about the iconic Disney character gives viewers a glimpse into animation.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.