Māhū—Reclaiming what’s rightfully theirs
Why did Māhū, a term once respected in Hawaiian culture, become so controversial?

Svetlana Parshina was deeply moved by her childhood reading of Twenty Letters to a Friend by Svetlana Alliluyeva, Joseph Stalin's daughter. Years later, learning that the now 82-year-old was living incognito in a Madison, Wisconsin retirement home, Parshina phones and requests an interview. After repeated denials, and only after insisting upon certain conditions, the now-82-year-old Alliluyeva finally consents to a rare filmed interview in which she discusses her education, marriages, her children, the development of her own humanistic philosophy, her CIA-assisted defection to the U.S., and her skeptical views on the competing Cold War ideologies. In more intimate moments, she discusses her childhood, her nanny, the suicide of her mother, her brothers Vasily and Yakov (who died in a Nazi concentration camp) and, of course, her famous father, who most Soviets saw as "a living God."
Why did Māhū, a term once respected in Hawaiian culture, become so controversial?
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
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If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.