Anna, a nurse, meets her wartime lover Marcel in 1951. Learning that he has been sentenced to death for his role in the Home Army, she hides him in her cellar for five years. She gets pregnant with his child and has the baby out of the wedlock. Despite the hardships and gossip she holds much better than he. In 1956 when the political climate changes, he resurfaces and is arrested, but then acquitted by the court.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.
Overall, Cruella stands above the other Disney retellings. Its dark and bold, and that is exactly what these retellings should be. Emma Stone continues to prove she's one of the finest young actresses working today, and Emma Thompson gives one of the best villain performances in the last decade. The fashion is stunning, the dogs are adorable, and the story is wildly vibrant and original. It's classic movie fun, and it shouldn't be overlooked.
It is the attention to detail that makes Wolfwalkers resonate more than Luca for Queer representation
In this remake of the 1993 film of the same name, The Wedding Banquet follows the life of two queer couples as they struggle with life-changing decisions.
