Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Survive Girls 2 poster

Survive Girls 2 

This entry digs even deeper into the terror of being hunted and trapped, with women forced into choices that test both body and mind. The suspense builds as desperation clashes with determination, making every scene feel like a fight to hold on to identity as much as life itself. It’s unsettling, unpredictable, and lingers long after the credits roll.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


This entry digs even deeper into the terror of being hunted and trapped, with women forced into choices that test both body and mind. The suspense builds as desperation clashes with determination, making every scene feel like a fight to hold on to identity as much as life itself. It’s unsettling, unpredictable, and lingers long after the credits roll.

Rating:
Genre:Horror
Written By:Bon Ando, Yoshifumi Tsubota
In Theaters:
Box Office:

Runtime:75 minutes
Studio:

Articles You May Like


Why "The Birdcage" is Still Worth Celebrating 25 Years Later

Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.

Matt Geiger

"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger