
A young girl from the Brooklyn housing projects goes from the subway to the runway becoming one of the most sought after models in the fashion industry. But in the high stakes world of fashion and beauty. Things aren't always as pretty and glamorous as they seem.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.