'Unveiled': Why Did They Get Married?
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.

March 6, 1987. A masked guy robs a local superette, but finds out there's hardly any money there. As the cops are on their way, he takes the owner and his family hostage. Meanwhile, the Herald of Free Enterprise is quickly sinking - but what's the connection and how will it affect the robbery in place?
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
A 3D animated film centered on chasing fame in the humble stomping grounds of middle school. Unfortunately, while the protagonist dreams big, the plot falls short and fails to capture even a semblance of diversity.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.