In the 1970s, a small Greek island emerges as a symbol of hope, freedom, and self-expression. Mykonos was "paradise on earth," and for some, it still is. The island was a haven for extramarital and queer love during the dictatorship of the military junta that ruled Greece between 1964 and 1974 following a coup d’état, a regime of dominant patriarchy when even pronouncing the word «gay» on the streets of Athens could be considered a criminal act. In an overall conservative Greece, the Italian entrepreneur Pierro Aversa, a mythical figure of the European queer highlife, opened a gay bar where atmosphere and partying took precedence over profit. A free-spirited, encapsulated environment where forbidden desires could be manifested was cultivated; however, its image is not only reflected through idealistic lenses in the film – many people died in the drug-fuelled madness, and many kids were lost as well, as the locals admit.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
This Comedy-Drama set in Nazi Germany, shows a young boy, Jojo who wants to be Hitler's personal guard and even conjures up Hitler to be his imaginary friend. His nationalism and prejudices of Jews change when he discovers a Jewish girl hiding in his attic.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
