'Unsolved Mysteries': Netflix’s Revival Series is as Eerie as it is Compelling
'Unsolved Mysteries' is a reminder that not everyone has closure in their lives. Things will happen that have no known explanation, and seemingly come out of nowhere.

The lighthouse, as a man-made object built to shed light into the dark unknown, encapsulates perfectly the desires of the Enlightenment project of modernity: the domination of nature through reason and intellect, the advancement of technology and trade on a global scale, the illuminatory transparency of European Christian morality – a beacon in the dark. This 'op-film' will be a disorienting and disoccidenting dérive from optical navigation to algorithms of locating – an essay against the grain of Western patterns of referencing and situating. From a film made with lenses and ensitive celluloid to the desktop locating engine, we will navigate from the material production of Fresnel lenses to the invention of global navigation satellite systems (GNSS) – the tool that announces the obsolescence of the lighthouse.
'Unsolved Mysteries' is a reminder that not everyone has closure in their lives. Things will happen that have no known explanation, and seemingly come out of nowhere.
A boy named Max experiences adventure within his own house while staying home alone.
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
Season 1 of Love, Victor ended on a major cliffhanger: Victor came out to his parents. He said the words “I’m gay” for the first time. Now what? Season 2 answers the question: “What happens after coming out?”