"Mothra" Still Rocks
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.

The stage is set for a series of confrontations when photographer Mark Jefferson (Tom Eplin) agrees to help his friend Roger (John Mayall) defend his night club against a handful of organized crime figures. Mark has an added incentive for becoming involved as his ex-girlfriend Carol (Cheri Cameron Newell) sings at the club. But the gangsters are willing to use mayhem and murder in order to take over Roger's business. It appears that the petty mobsters are out to sell illegal weapons to anyone who wants them, especially L.A.'s youth, instead of using the club as a front for a prostitution ring as Roger suspects. Soon Mark and his trusty motorcycle have their work cut out for them.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
With the start of the new season we're excited for all of the April new movie releases, some of which our writers here will cover in individual reviews throughout the month.
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.