Tragedy Girls
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.

At the age of 40 Adriana has every reason to be happy: she is loved by her two teenage kids and her husband and the dream owning a summer home has come true. The family is in the process of setting up their summer home. However, when her husband Juan is forced to go back to the city for work, something changes. In her solitude, Adriana undertakes a journey of introspection that leads her to wonder if she is living the life she really wants.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.