"Marriage Story" is no "Kramer vs. Kramer"
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.

Two identical cars pull up to a restaurant, one belonging to a childless couple who are taking care of their niece and nephew while their parents are away, who are out on a Sunday drive. The other belonging to a guy who is on his way to meet his fiance and to begin working for her father. In his car is his dog, whom the couple mistake for the children, when they get into his car and drive. While he goes into their car and the children are under a blanket and he mistakenly assumes it's his dog. When they discover the mistake they are both so far away from each other that they don't know what to do.
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
Personalities clash and tempers fume in a family-run Chicago restaurant