Avatar: Still a Groundbreaker in CGI, but Not in Story
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.

driving down california from san francisco with my dad. super8 400T
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
The newest Pedro Almodóvar movie, Pain and Glory, focuses on an aging and debilitated filmmaker, Salvador Mallo (played by Antonio Banderas) reflecting on his life in his old age.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
Being made after the death of Chadwick Boseman will be a hard but exciting ride for this Marvel entry.