The Grainy Landscape, Worn-Out Household, and Remembering the Past in 28 Years Later
How do zombie films shine new light in the post-Covid and post-Brexit era?

"A 16mm cinematic exploration of African American intellectual, social, and political life at the University of Virginia during the 1970s. Conceived and written by UVA History Professor and author Claudrena Harold and directed by Harold and UVA Professor of Art, filmmaker/artist Kevin Jerome Everson, the film stars Erin Stewart (the bank teller/race driver in Everson's 2006 feature film "Cinnamon") as Vivian Gordon (the director of UVA's Black Studies program between 1975 and 1980). The film tells the story of African-American women and men who through their public and private gestures sought to create a beloved community that thrived on intellectual exchange, self-critique, and human warmth." - Trilobite-Arts-DAC, Claudrena Harold, Picture Palace Pictures
How do zombie films shine new light in the post-Covid and post-Brexit era?
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.