Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Suffocating Heat poster

Suffocating Heat 

On June 30, 1990, in Rome, Marie Christine is getting ready to take her son Pietro and Paolo to their father for the weekend. As the Football World Cup is taking place in Italy, Rome is flooded with supporters; the traffic is chaotic and French-born Marie Christine, who works as a translator, finds a bag that belongs to Miriam, who must leave the next day. Marie Christine decides to find her to return her passport, but one Giuliano Ferrini tries to prevent this. So Marie Christine finds herself navigating through a hot Roman night in a city she doesn't know, among people she never dreamed could inhabit the same city.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


On June 30, 1990, in Rome, Marie Christine is getting ready to take her son Pietro and Paolo to their father for the weekend. As the Football World Cup is taking place in Italy, Rome is flooded with supporters; the traffic is chaotic and French-born Marie Christine, who works as a translator, finds a bag that belongs to Miriam, who must leave the next day. Marie Christine decides to find her to return her passport, but one Giuliano Ferrini tries to prevent this. So Marie Christine finds herself navigating through a hot Roman night in a city she doesn't know, among people she never dreamed could inhabit the same city.

Rating:
Genre:Drama
Directed By:Giovanna Gagliardo
Written By:Roberto Mazzoni, Giovanna Gagliardo, Ennio De Concini
In Theaters:
Box Office:

Runtime:99 minutes
Studio:Reteitalia, Silvio Berlusconi Communications, Boa Cinematografica

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger