Why Wish and similar Disney films don't work
Disney movies have taken a bit of a downward turn recently. How come?

David Janssen plays Harry Orwell, a retired L.A. cop who was shot during a robbery and whose partner was killed in the incident. Harry is in constant pain due to the bullet lodged near his spine, but he works off and on as a private detective to supplement his pension. Late one night, Harry is approached in his home by one of the men who shot him (Martin Sheen) to help find the other man (Sal Mineo) involved in the robbery, who he says is trying to kill him. Is it a setup? This was the first pilot for the ABC detective series *Harry O*, which (after a second pilot, *Smile Jenny, You're Dead*, was picked up) aired from September 1974 to April 1976.
Disney movies have taken a bit of a downward turn recently. How come?
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
Hutch just wanted a family vacation, but chaos follows him everywhere. Nobody 2 is violent, stylish, and over-the-top in the best way possible.
The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.