Five Nights at Freddy's 2—Confusing even for long-time fans
The second entry of the Five Nights at Freddy’s series released recently, garnering very divisive reviews amongst both fans and critics.

The story, set in 1971 at the time of the war between India and Pakistan, is based on the novel of the same name by Rohinton Mistry, an Indian now living in Toronto. "Such a Long Journey" takes place mostly in and around a large apartment complex, its courtyard and the street, which the municipal authorities want to widen so that even more choking diesel fumes can cloud the air. We meet the hero, Gustad (Roshan Seth), in the process of defending the old concrete wall that protects his courtyard from the street, and later he strikes a bargain with an itinerant artist (Ranjit Chowdhry), who covers the wall with paintings from every conceivable religious tradition, with the thought that all of the groups represented will join in defending the wall.
The second entry of the Five Nights at Freddy’s series released recently, garnering very divisive reviews amongst both fans and critics.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
There is no such thing as watching too many movies. Since we're still quarantined, I wanted to recommend another 19 movies for people to check out across Netflix, HBO Max, and more.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.