On December 6, 1941, Captain Yamanada of the Japanese aircraft carrier "Hiranamu", orders full steam ahead for Pearl Harbor. His ship encounters and sinks an American yacht and the single survivor, Sue Curry, is rescued by an American submarine, the "Sea Serpent", commanded by Commander Chris Warren. He hears her story and attempts to radio a warning to Pearl Harbor. Yamanada, hearing the signals, orders the airlines jammed, and then sends his son into the air to sink the sub. The attack fails, after the sub makes a crash dive, but they fail in their warning attempts. The next morning, December 7th, the men on the sub hear the story of the bombing of Pearl Harbor, and devise a desperate plan to sink the Japanese carrier by letting the carrier know their position. The carrier comes in search of the submarine.
Lew Landers
Director
John Howard
Commander Chris Warren
Marguerite Chapman
Sue Curry
Bruce Bennett
1st Office Russell
Warren Ashe
Bill Warren
Forrest Tucker
Pulaski
Eileen O'Hearn
Vera Lane
Nino Pipitone
Captain Yamanada
Philip Ahn
First Officer Kawakami
Larry Parks
Sparksie
Roger Clark
Grant Duncan
Eddie Laughton
Shannon
Based off the book of the same name, ‘The Miseducation of Cameron Post’ (2018) follows teenager Cameron Post (Chloë Grace Moretz) after she is caught being intimate with another girl and then sent away to a gay conversion camp.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
A thief and street dog named Roger has to work with other pets to take down the evil Mayor Frank Stone when he plans to destroy Robo City.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.