Irena has everything she could want from life – she is beautiful, young, rich, her husband, a lawyer, has a good position, in short, a happy family with one child – it would seem – a happy fate. But life turns into hell for the heroine. All it took was one small infidelity, a fascination with a young composer, or perhaps a simple desire to please.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.
A short hybrid film featuring everyone's favorite Disney characters.
