The Falcon And The Winter Soldier: Three Moments in Episode 2 That Aren’t Being Talked About Enough
John Walker is named the new Captain America and The Flagsmashers run amok.

High school student Jane Shipley seeks to mend her splintering relationship with childhood best friend Merritt, and fit in with her rebellious peers. When Jane's math teacher oversteps his bounds, an apathetic high school administration forces Jane and Merritt to take matters into their own hands, driving their relationship into further turmoil and inciting deadly consequences.
John Walker is named the new Captain America and The Flagsmashers run amok.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.
This film was filled with great plot points. Unfortunately, they all contradicted each other and clashed. Had the premise of Awake been more consistent and accurately portrayed the real world aspect, I think this could have been an extreme success.
Episode 3, entitled “Now in Color,” brings us to the 1970s — a decade full of vibrancy, color, and total mayhem.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.