Seven families live in the Parisian apartment building at 8, Rue de l’Humanite - and they didn’t escape to the countryside at the arrival of the coronavirus. Three months of life under lockdown will reveal the best and worst of these neighbours.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
I was able to sit down and talk with the director of the short film Dog Lover Anne-Sophie Bine as she discussed and how she came to be in film.
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.
