Strogonoff 

'Blue Beetle' is another solid addition to the superhero film canon.

As a frequent “the book was better” extoller, this movie was well worth the watch. 

Eddington attempts to capture how media is intertwined with the uncomfortable present.

'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Dracula evolved from a person to a monster and then from a monster to a person.