When exotic dancer Cassie happens upon a drug deal gone bad, she steals the money and the drugs thinking she now has the funds to make her dream of moving to Paris come true. But waiting three days to get her passport proves tougher than she thought when everyone she knows from her ex-boyfriend, to her drug addict boss, to her lesbian lover, to the rightful owner of the money decides to get in on the action.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.
It’s hard to capture the emotions and thoughts of a character just from a few shots, but Oscar-nominee composer Micachu's haunting melodies prove otherwise in 'Jackie'.
Based on a true story, this sports movie is centered around a college football player.
