Trauma Profiteering in Jordan Peele's 'Nope'
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.

Young gang banger Luis (Danny Gomez) leads a dangerous existence in East Los Angeles as he weaves through the daily violence and crime. Life grows even more treacherous after Luis kills a major gang member and turns to his older brother (Walter Reyes) for help. The brothers face their enemies but find themselves sinking in a quagmire of murder and intrigue. The leader of a major drug ring targets them, and soon, they're running for their lives.
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.
Mr. Malcolm's List is a pleasant promenade through a fantasy Regency-era England filled with people of color. For fans of Bridgerton, this is the PG version of the show, but with completely colorblind casting and a much lighter tone.