Louis Theroux Takes Us "Inside the Manosphere" and It's Even Scarier Than You Expect
Leveraging the cockiness of many of his interview subjects, Theroux created an exposing documentary that shows just how scary these sections of the internet can be.

In 1904, the genocide of the Herero and Nama by the German colonial power in South West Africa began. Hinavandu, a young Herero, finds herself in a collection center after fleeing the genocide. There the fugitives celebrate the end of the war and wait for the day when the Germans will pick them up and bring them back to their villages. Hinavandu dares to hope again. But on the day of her departure, she realizes that they will not be brought home.
Leveraging the cockiness of many of his interview subjects, Theroux created an exposing documentary that shows just how scary these sections of the internet can be.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Here's what Disney got wrong with "Aladdin" and how it can avoid those pitfalls with "Hercules."
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.