'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

The son of urban intellectuals and the daughter of city “former villagers” have filed an application at the registry office to get married. The parents of the young couple are happy. While the wedding preparations are underway and the apartment is being renovated, the future in-laws decide to spend some time together at the summer house to “get used to each other” and get to know one another better. However, living under one roof turns out to be far less pleasant than it seemed. Every day, conflicts flare up between the in-laws over seemingly trivial matters. No sooner is one argument settled than another begins. Yet true love ultimately reconciles these “very different people.” Both families want their children to be happy — just each in their own way. And in the end, harmony finally descends upon the feuding households.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
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