Hollywood. 1955. Faced with two inexperienced actors, a film director encourages the leading lady and leading man to fall in love in real life so as to provide the heat needed for the inner film's romance, which enrages the actress' possessive gangster boyfriend, who happens to be the film's financier.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
The Lego Movie achieves great humor and story with a combination of childish comedy, adult references, irony, and by subverting popular movie tropes.
Lucifer is a show with both comedy and drama, but most importantly, has charm. Well aware it’s following a silly premise, the show does so in a way that’s entertaining. Sure, sometimes it can be cheesy, but fun cheese.
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
