'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

In the Transvaal, in 1900, the British army condemns to death an American mining engineer for aiding and abetting the Boer enemy. The engineer escapes from custody and takes refuge at an isolated Boer farm. When three deserters from the British army arrive on the scene, the engineer takes steps to protect himself and the Boer family.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
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