Top Gun: Maverick is the Perfect Adrenaline-Fueled Sequel to the Original
If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.

Bonar, a filmmaker from Jakarta, goes to a hotel at Pelabuhan Ratu beach to search for his new film's inspiration. On day three, suddenly, he loses his laptop when the hotel housekeeper cleaning his room. Bonar asks the hotel staff to investigate who stole his laptop. Then, something mystic happens. It's odd that, suddenly, all people at and around the hotel only speak in Sundanese, neither in Indonesian nor in other languages. Bonar is puzzled because he cannot talk in Sundanese. Then, a mysterious woman named Lilis comes and speaks in Indonesian. She asserts about knowing the stealer's suspect. However, in one condition that Bonar needs to help Lilis for creating a film about the romance story of her grandparents.
If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
In Saudi Arabia, a little girl (Wadjda) is told she can't have a bike because she's a girl. Wadjda struggles to obtain a bicycle to race her friend, Abdullah, due to the gender inequality and cultural norms of Saudi Arabia.
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.