We're 'All Together Now' to Give a Hand
Can a homeless yet optimistic teenage girl learn to accept a helping hand?

Marcos finds Julia on a barren road and offers her shelter in a mansion belonging to his mistress. He discovers that she is running away from a psychotic husband and falls madly in love with her. When the caretaker of the mansion discovers a ransom is being offered to whoever finds the young woman, he tells her whereabouts to the husband, who ruthlessly pursues the pair.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.