A young Parisian advertising executive becomes so captivated by the unsettling charm of his mysterious new employer that he eventually abandons his family and friends, viewing it a privilege to let the ubiquitous employer take over his home, his life, his desire. Only his wife remains suspicious, recognizing both the pathos and the evil in the man’s soul-stealing power.
Pierre Granier-Deferre
Director
Gérard Lanvin
Louis Coline
Michel Piccoli
Bertrand Malair
Nathalie Baye
Nina Coline
Jean-Pierre Kalfon
François Lingre
Madeleine Cheminat
Yvette, la grand-mère de Louis
Jean-François Balmer
Paul Belais
Pierre Michaël
Gérard Doutre
Victor Garrivier
le père de Nina
Dominique Blanchar
la mère de Nina
Kathy Kriegel
Véronique
Ariane Lartéguy
Salomé
I think these messages and the way they are presented in this small-town in Texas are increasingly more important as the internet/ social media becomes more and more critical and judgemental every day. Love yourself today and every day because as Ru Paul always says: “If you can’t love yourself, how in the hell are you gonna love someone else?”
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
He’s a nine-time Oscar host and a revered comedy legend. He’s an up-and-coming comedy star who was a voice in the biggest animated movie of all time. So what happens when these two are forced to work together?
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.