Top Gun: Maverick is the Perfect Adrenaline-Fueled Sequel to the Original
If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.
Stories We Tell (2013)
Canadian actress and filmmaker Sarah Polley investigates certain secrets related to her mother, interviewing a group of family members and friends whose reliability varies depending on their implication in the events, which are remembered in different ways; so a trail of questions remains to be answered, because memory is always changing and the discovery of truth often depends on who is telling the tale.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Canadian actress and filmmaker Sarah Polley investigates certain secrets related to her mother, interviewing a group of family members and friends whose reliability varies depending on their implication in the events, which are remembered in different ways; so a trail of questions remains to be answered, because memory is always changing and the discovery of truth often depends on who is telling the tale.
Rating:
Genre:Documentary
Written By:Sarah Polley
In Theaters:5/17/2013
Box Office:
Runtime:109 minutes
Studio:ONF | NFB
Articles You May Like
“Leviticus” and Leviticus
Like most young people, Leviticus is imperfect. But I love it anyways.
Avatar: Still a Groundbreaker in CGI, but Not in Story
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
Early Feminism Shown in 'Footlight Parade' (1933)
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.
Dug is the Real Hero of Disney/Pixar’s “Up”
"Up" features one of Pixar's few Asian-American heroes and explores the institutionalized hardships elderly people face. Also, Dug is a good boy.
Life Chugs on in Train Dreams
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.