“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

New mom Hallie is devoted to her baby, who had a heart transplant when she was born. Hallie is thrilled when she makes a new friend in Megan, but Hallie's life takes a sinister turn as danger seems to follow her every move.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
A family comedy that combines fantasy and normal school life.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.