
A famous picture, stolen from an Italian gallery, finds its way to the Corcoran gallery in Washington. When its identity with the stolen painting is discovered, plans are made to restore the canvas to the rightful owners, but in pursuance of a plot of jealousy, it is made to appear that Virginia Lake has copied the painting and has substituted the copy for the original; retaining the latter. The plot is helped by Virginia's absence on an errand of mercy, but in the end her innocence is established and justice is done.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
Two Korean sisters must save their family after a ghost tears the family apart.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.