In 1988, with the release of FILTHY HABITS, Billabong changed the surf video forever. Raw and unapologetic, FILTHY HABITS presented the untouchable Billabong team in a revolutionary formula that simply featured kick-ass surfing cut tightly to kick-ass music. Twenty-one years later… Occy’s still ripping, bands like T.S.O.L. and Social Distortion are still rockin' hard, and Billabong hasn't changed their filthy habits one bit... the result? STILL FILTHY is born! Sit back and enjoy this historic ride into the future as the Billabong team takes you up, over, down under, and around the world. Featuring surfing by Andy Irons, Taj Burrow, Joel Parkinson, Dave Rastovich, Wade Goodall, Torrey Meister, Shane Dorian, TJ Barron, Sterling Spencer, Laurie Towner, Tamaroa McComb, Granger Larsen, Kolohe Andino and of course the legend himself, Occy.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
In this remake of the 1993 film of the same name, The Wedding Banquet follows the life of two queer couples as they struggle with life-changing decisions.
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
