‘Little Woods’ Review: A Powerful New Take on the Western Genre
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.

You can always lose yourself in a good story; a loving romance or a nail-biting thriller, but for these guys, there's nothing like some Stiff Cock Tales to get their attention! Turning the heat up, these hot-bloodied and impulsive guys already know the ending to these stories it's the beginning and the bit in the middle that piques more than just their interest. Fifty Shades Of Gray has nothing on these tales of eroticism and Dorian Gray wouldn't be a handsome straight man for long once he got a little taste of what these boys have to offer!
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
The latest installment in the beloved media franchise is a unique stylized mesh of humor and heart.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.